The Music Box 5/5

Laura finds Anna crying in a field. Her tears are either made of Vaseline or her nose is running up her face. Laura apologizes saying that she didn’t know that Nellie was going to be a horrible person. “I trusted you,” Anna says. At this point the stutter is indistinguishable from the sort of staggered speech someone Anna’s age would have when sobbing uncontrollably. Anna says she just wanted to be a part of the club because Laura was in it. Laura tells her she isn’t in the club anymore. Laura promises to spend her time after school helping Anna with her stutter and exacting revenge on one Nellie Oleson. Anna smiles and hugs Laura. The girls run home while singing “It’s Raining, It’s Pouring.”

That evening, back at the house, Mary and Caroline battle a ball of yarn while Charles worries about Laura’s whereabouts. We hear thunder as Laura walks in totally soaked. Wow, who knew that song worked? Caroline guides Laura to the fire and asks Mary to get some dry clothes for her sister. As Pa wrings out Laura’s pigtails, Laura decides to confess to stealing the music box. Ma and Pa are disappointed, but Laura recaps the entire story. Oy! That’s my job! Laura finishes by saying that she tried to figure a way out and couldn’t. Pa lectures that Laura couldn’t find a way out because she avoided the easiest way: telling the truth. Laura says she’s ready to face her punishment, but Pa says he’ll leave that up to Mr. Oleson. Laura apologizes to Mary and they hug.

The next morning, Laura hands the music box to Mr. Oleson and apologizes. “I know I was wrong,” she says. “Not as wrong as somebody else,” Nels says before yelling for his daughter to come downstairs. Charles tells Nels that he should be the one to decide Laura’s punishment. Nels says he can’t condone stealing, but Laura may have been punished enough. Did she tell him about the dreams? Because really, that’s the only actual negative consequence she has experienced.

Nellie comes down the stairs and almost runs into the music box that Nels is holding up to her face. Nellie pretends to yell at Laura for being a thief, but no one is buying it. Nellie tries to continue to school, but Nels tells her to go to her room. Looks like option A again. Whoops, nope, Nels grabs the strap as he goes upstairs.

As Laura and Anna run down the Mercantile steps, Willie commands Laura to carry his water buckets for him. Laura refuses, but Willie starts doing his “dum dum” impression again. No, the music box one. Laura and Anna look at each other and smile. Laura agrees and they both grab buckets. They both dump the water over Willie’s head. The two girls head to school arm in arm.

So I guess the lesson here is if you are going to steal, make sure you have a tenuous friendship with someone who has a speech impediment, that way you can live your life without consequences.

The Music Box 4/5

Laura runs through some woods and slows down when she reaches a clearing. She creeps up to a tree and tags Willie. “Gotcha,” says Laura. “No you didn’t,” says Willie. Sounds to me like Willie is planning on a career in soccer refereeing. Laura says she just tagged him, shaking his shoulders a bit to illustrate her point. Willie still claims that Laura didn’t find him. Has Willie started reading up on existentialism? I already have to deal with the dream sequences; don’t throw philosophy into the mix, show. Instead, Willie mimes holding a box and singing “dum dum dum, dum DUM dum, dum dumdumdumdumdumdum.” Laura recognizes the Nerd March and her eyes widen. Willie smiles. “You’re right,” Laura says catatonically, “I didn’t find you.” I think this episode is slowly turning into The Manchurian Candidate.

That evening at dinner everyone is quiet. Charles asks how things are at school, but both Mary and Laura mumble, “Fine, just fine.” Charles asks if the girls are using the new dictionary. “Some,” they both answer. Yeah, evidently. Charles asks about the music box, but this causes Mary to ask to be excused. Mary heads up to the loft. Pa asks if the two girls had a fight. Laura hems and haws, but Charles doesn’t press the point. He sends Laura upstairs.

When Laura gets up to the loft, Mary asks her why she didn’t tell Pa how mean she was to Anna. Laura denies that she was mean and that she likes both Anna and Nellie. Mary calls BS on this, saying that Laura didn’t like Nellie until she received the music box. Isn’t that how gifts work? Laura throws out the “you’re just jealous” but leaves off the “I’m not here to make friends.” Mary snaps back that she doesn’t want to be in the club.

At this point Charles comes up to see what all the fighting is about. Mary says that Laura and Nellie were being mean to Anna. Laura says she didn’t do anything mean, which I think I agree with based on what we saw. “Anna thought you were her best friend,” Mary snarls, “and then you hurt her just like all the others.” Come to think of it, Laura has gone through quite a few “best friends” on this show. Mary might have a point. Mary says Laura made Anna cry, which Laura denies doing on purpose – she just wanted to play with Nellie. Charles reminds Laura that she made a promise (she did?). Laura says, “I guess so,” which fails to impress Pa. Also, he doesn’t understand why Laura can’t be friends with both girls. Mary explains that Nellie’s club doesn’t like Anna because she stutters. Indoor voice, Mary, please. Pa asks if that is true and Laura reluctantly agrees. He tells Laura to tell Nellie that she can’t be in the club unless Anna can be in the club. Everyone leaves grumpy. Laura sits on the bed and contemplates the music box.

Oh no, not another dream. This time the Nerd March has some sort of dragon breathing sound effect accompaniment. That’s a bad sign. A battalion of redcoats beat on drums as a wagon carrying prisoner Laura approaches. Is that a gallows? A man in a hood leads Laura off the wagon and past her family gathered at the foot of the gallows steps. Laura hugs Caroline, but the hood pulls her away. An executioner sucking on a candy cane watches from above. Laura walks up the steps and the executioner (played by Nellie) grabs Laura and puts her into position under a noose. Nellie pulls the rope down and places it around Laura’s neck.

Time-out! There is no way in hell that a scene like this could get on TV today. The Parents Television Council would throw a level five shitfit if this were on broadcast TV. You know anyone who describes ‘Little House’ as “quaint” or “banal” has never watched an episode because you have this, which was on during the family hour in its original broadcast. And there was no “viewer discretion is advised” or “TV-14”.

Time-in. Nellie tightens the rope around Laura’s neck(!). Laura glances over to the lever as a drumroll starts to play. Nellie stands for a moment and grabs hold of the lever. Laura watches. Nellie pushes the switch.

Laura, who is wearing a pillowcase over her head, rises out of bed and grabs her neck. Mary just glares at her sister. “Good night, Laura,” she says flatly. What the friggity frig, yo. “Goodbye, Mary,” Laura says. Mary does a slight double take before both girls nod off.

Nellie spots Laura on the front steps of the Mercantile the next morning. Laura tells Nellie what Charles told her about Anna’s membership. Nellie says he can’t force Anna into the club. I don’t think Charles really cares about your bylaws, Nellie. Laura says she’ll have to quit, but Nellie says Laura better talk to her father or she will. I realize Nellie wants control over Laura, but what is so important about needing Laura in the club? Anyway, Laura says her hands are tied. Nellie thinks for a moment and a sly smile crosses her face. Uh oh. She says that maybe Anna can be in the club. Laura is not suspicious at all and the two girls run to tell Anna the news.

After school the club gathers in Nellie’s room. It is time for Anna’s initiation. Nellie asks why Anna wants to be in the club. Anna says it is a good club and the girls are all her friends. Laura is smiling while the rest of the girls look stoned. The girl to Laura’s right looks like the guy that Wayne and Garth pick up at the beginning of Wayne’s World. Nellie asks who makes the rules (the prez and VP) then hands Anna a sheet with the club’s secret password. Anna looks at the sheet and her face falls. She looks at Laura whose smile fades quickly. Apparently the VP didn’t know about the password rule.

“This isn’t a password,” says Anna. Nellie says it is and tells Anna to read it. The password is “Peter Piper Picked a Peck of Pickled Peppers.” *ding* That’s going to be difficult to convey with just one-word clues. Even Betty White would have trouble with that. Anna struggles through the phrase as an evil smile creeps on to Nellie’s hateful face. “No, no,” Nellie scolds, “you have to say it fast.” The girls start to giggle as Nellie heckles the girl. Laura looks mortified. “No Anna,” Laura says, “take your time. You can do it if you take your time.” Anna nods and tries again. Nellie keeps screaming “fast!” Anna struggles to the point of tears and runs out of the room. Laura runs to the door and calls after the girl. She then turns to Nellie. “I hope you’re proud of yourself,” she says. “That’s the meanest thing anybody ever did. “ Laura deduces that this was all a ruse by Nellie to make Anna cry. Laura says Anna just wanted to be friends. Stoner girl looks to Nellie as if to say “where’s your mom with the snacks?” Laura leaves. Nellie rushes to the door and threatens to tell if she doesn’t come back. Nellie slams the door.

The Music Box 3/5

Laura, Anna and Mary are carrying their books as they walk past the Mercantile on their way to school. “Laura Ingalls!” Nellie races down the front steps as Laura stops in her tracks. Nellie sneers that she wants to talk to Laura then offers her a gumdrop. Willie observes the bi-polar action from the porch. Laura accepts the gumdrop while Nellie invites Laura to eat lunch with the club. Laura says she is still mulling over her membership. Anna volunteers that she will be in the club, but Nellie says Anna can’t be a member until she learns how to talk. Laura doesn’t take too kindly to this, so she returns the gumdrops and tells Nellie she won’t be joining. Laura and Anna walk away arm in arm. Nellie screams after them. “A chicken can squawk, a butterfly can flutter, but Anna can’t talk, all she can do is st-st-stutter.”

Nels is out on the porch at this point and yells at his daughter while Willie giggles. Nels tells her to get in the house and get the strap ready. Yikes. Nels looks at Willie who says he didn’t do anything. Nels pulls Willie into the shop anyway. The kids run to Harriet and hide behind her. She doesn’t know what is going on (as usual), but begs her husband to give the kids another chance. Nels brandishes the strap saying that Nellie doesn’t deserve another chance. Nellie apologizes and even vouches for her brother that he didn’t do anything. Nels tells Nellie that she will be grounded from school for the day and will go to Anna’s house that afternoon to apologize. Harriet is horrified, insisting that her daughter will be humiliated. Nels says that’s the point. He gives Nellie the choice between the strap and a half-assed apology. Nellie says she doesn’t know where Anna lives, but her father says to ask Laura. Nellie doesn’t like that idea, but Nels brandishes the strap again and tells Nellie to choose. To recap, the choices are A) Stay home from school for the day and then walk over to Anna’s house to “apologize”, or B) A whuppin’. Nellie chooses A. Nellie goes upstairs and Nels tells Willie to clean his room. Today is a school day, right?

That afternoon, Laura is in the barn trying to fix the music box. It isn’t going very well. Outside, Nellie approaches the homestead and Jack goes into Cujo mode. Good for him. The sound isn’t great, as they play barking sound effects when Jack’s mouth does not show any sort of barking or growling, just drooling. Nellie rushes into the barn to hide from the dog. Laura is caught off-guard (she didn’t hear the dog?) and Nellie realizes that it is her music box that Laura is tinkering with. Laura tries to lie that it is her own box but Nellie calls BS on that instantly. Laura insists that it’s hers, so Nellie suggests asking Laura’s parents. Laura, realizing that she’s caught, confesses. Nellie says she is going to tell, but Laura says she will do anything that Nellie says. Nellie verifies this incredibly stupid statement, but Laura insists that she will do anything that Nellie says. Nellie tells Laura that she is going to be in the club and warns Laura that if she steps out of line, Nellie will tell and possibly try to have Laura put in jail. Laura promises to follow Nellie’s orders.

At this point Pa walks in. He asks what’s up and Laura says they were just listening to Nellie’s music box. “Oh it’s your music box now, Laura,” Nellie says. Pa is pleased with this news, especially since it appears that the two buried the hatchet -- and not in anyone’s skull. Nellie leaves but as she exits she asks Mr. Ingalls if Laura can go to her house after school tomorrow. Charles is okay with this. Nellie asks Laura how to get to Anna’s before she leaves. Once she is gone, Pa says he is really happy to see this new development. Laura catatonically agrees.

Nellie’s arrival at Anna’s house is inexplicably framed through the arms of a chair on her porch. Inside, we see that the props office used the “LHOTP – Generic” item list, which includes a shawl, butter churn, rocking chair, and a woodpile. Anna’s mom answers Nellie’s knocking by opening the door, but answers Nellie’s questions in Swedish. I wonder what obnoxious schoolyard rhyme Nellie has for that linguistic trait? Anna comes out of her room and asks Nellie what she wants. Nellie apologizes, but Anna doesn’t quite believe it. Anna’s mother asks, through Anna, if Nellie would like to stay for dinner, but Nellie politely refuses. Anna gets the door for Nellie and walks her outside. Nellie apologizes again, but the insincerity starts to drip when she tells Anna that she is talking much better. Anna doesn’t have an insincerity detector, so she is thrilled by this development.

That evening at the homestead, Laura puts down her dictionary and asks her Pa what it’s like to be in jail. Did Charles do hard time? That would be amazing. Aww, he says he has never been. Charles asks why Laura wants to know and she says it’s for homework. Did Miss Beadle ask the kids to write prison letters? Charles said he met a couple of guys who went to jail during the War, but he isn’t inclined to repeat their stories. Laura asks what sort of crimes lead to jail time – cheating, hurting somebody, and stealing are what Charles list. Laura speculates that stealing only applies to big things like horses, but Charles says you can hang for a crime like that. “No, they put you in jail for stealing just about anything,” Pa continues. This does not ease Laura’s nerves.

The Nerd March plays as we enter another one of Laura’s dreams. A fire burns in the center of a medieval prison. One prisoner is stretched on a rack while several others sleep on the stone floor. Someone is laughing as Harriet enters wearing a hood and carrying a giant bucket. Laura is looking even more bedraggled than in her previous dream. Harriet reaches into the bucket and pulls out a wad of breadcrumbs that she chucks to the ground. All of the prisoners scramble to the food except for a Leif Garrett impersonator chained to the wall. As Harriet feeds the birds, Nellie walks in wearing a hood and eating from a chicken bone. She laughs as Laura notices the meat. Laura crawls towards the Oleson jailors who continue to laugh at the girl. Once Laura reaches Nellie and begs for food, Nellie bludgeons the girl with the chicken. Nellie leaves and slams the door.

Laura starts to bang on the door and we fade out of the dream. Back in reality, Laura is banging on the wall screaming, “I’m hungry.” Mary wakes up her sister and tells her to knock it off. Charles yells up to the loft to find out what’s going on. Laura and Mary say nothing, but Charles yells up again demanding an answer. Mary says flatly, “Laura rolled over and fell out of bed.” Mary Ingalls sucks at plausibility. Charles asks if she is all right and Laura responds just as flatly that she is okay. Pa tells them to go to sleep.

The next morning outside school, Nellie explains to the club that she will decide who is "it" and, as president, she will never be "it". That’s not much of a game, whatever it is you’re playing, honey. Nellie calls over to Laura and Mary, who have just arrived, that they are going to play Hide N Seek. Mary declines, which Nellie is okay with. Nellie then commands Laura to join her. Nellie has decided that Laura will be “it”. Mary and Anna are shocked by this. Laura apologizes to Anna and promises to play with her after school and dejectedly walks towards Nellie and the girls. Anna is deeply disappointed by the development.

The Music Box 2/5

Laura and Anna walk home through a field. Laura asks Anna to name all the items she can in Nellie’s dollhouse. Anna rips through the list without a stutter or stop. Laura has Anna go through another list, this time shouting it as loud as possible. I forgot that Laura has a knack for speech therapy. You go girl! Both of you!

As Laura returns to the Ingalls barn, she remembers she has a music box in her petticoat. She rushes up to the loft to play with it. She winds up the music box and enters into an almost drug-induced euphoria as the music plays. Laura sets the music box on a shelf and starts to sway to the music. She then gets up and pretends to waltz. I guess she didn’t get dance lessons for her birthday either – she is a bit rhythmically challenged. Suddenly, the barn door slams and Laura panics. She tries to close the music box but knocks it to the floor instead. The door squeaks and slams a few more times and Laura realizes that it was just the wind. She goes back to the box but the music is all warped. Laura realizes she may be in big trouble.

That evening Charles entertains the rest of the family with his fiddle while Laura contemplates her fate next to the hearth. Charles asks if there is anything wrong. Well for starters the scene is shot at a weird angle that I don’t recall seeing on the show before and the lighting is just wrong. Oh, he was talking to Laura. She murmurs that there’s nothing wrong. Caroline also asks if Laura is okay and gets a meek “I’m fine” in response. Mary speculates that Laura has a stomachache from a candy overload at Nellie’s. Laura snaps at her sister. Before the fight escalates, Caroline notices Carrie entering into sleep mode and decides to take the youngin’ to bed. Charles decides that it is bedtime for everyone. Mary gives Pa a good night kiss and heads upstairs. Er, upladder? Laura follows without any affection for Pa – he calls her down. Pa asks again if Laura is all right, and she says again that she is fine. Charles kisses her forehead and she goes up to the loft.

We join Laura as she appears to have a bad dream of some sort. Uh oh, the screen is getting all wavy and a harp starts to play – we’re going in! Oh, I just realized that the music box song is the Nerd March! Now that it is being played in a minor key I totally recognize it. Anyway, we see that Laura is dressed as a serf and is standing in handcuffs in a defendant’s stand. The camera pulls out until the top of a judge’s bench can be seen. A gavel comes down. The judge asks for a verdict from the jury. Madame Foreperson (who sounds an awful lot like Harriet) declares a guilty verdict. Um, mistrial? The judge affirms the verdict and sentences Laura to 100 years of school where she will have to write “I will not steal” 10 million times. Laura begs for mercy, but she is met with an awkward close-up of the judge just nodding like a bobble-head. It’s a good thing fisheye lenses were still in the development phase when this was produced or this would have been a really freaky scene instead of just weird.

After fog shrouds the judge, we see Laura back in the house saying she didn’t mean it. Mary wakes up her sister to get her to shut up. Mary Ingalls sucks at sympathy. “Try to dream of something different,” Mary tells Laura. Laura lies down again and says she’ll try.

The Music Box 1/5

Oh God! Bees are chasing the girls down the hill! Oops, I hit the soccer ball button by mistake on YouTube. Damn vuvuzelas. No worries – the girls are safe. See, a closeup of a bunny rabbit ornament opens the show – everything is super. We pan across the window display and see all sorts of toys. Uh oh. This one is directed by Michael Landon. I take back what I said about the girls being safe – some bad shit is about to go down.

Deep breath. Okay.

Laura stands outside the Mercantile as she looks through the window display. Mary comes out from around the corner and tells her sister that they are going to be late. Laura is anxious not because of Mary’s tardiness but because her birthday is coming up and she wants to know what she is getting for a present. Mary says she isn’t going to tell, mainly because she doesn’t know. This angers Laura. The girls leave for school.

That evening, we see Charles exit Carrie’s room with a wrapped square-shaped item. Hmmm, too thick to be a DVD. Too light to be a laptop. Too small to be an N64. I wonder what it could be? Laura opens the present and it’s…it’s…a dictionary? What the frick kind of present is that? I can see Mary finding 101 uses for it, but it’s Laura’s birthday. She politely thanks her Pa, but you can hear the disappointment in her voice. Pa talks up the book saying that it has all the new words and a science section. As I paused the video to write that last sentence, Mary is giving Charles a look that says “really old man? Even I think that’s pretty square.”

Later on we see Charles and Caroline talking about the book as they get ready to go to sleep. Charles can’t get over the astronomy maps or the atlas. I will admit that does sound like a handy reference tool, but it ranks right up there with a sock-making kit as “most boring present to give a 10 year old”. Caroline smiles and nods, causing Charles to realize his folly. Caroline tries to coddle her hubby by saying she would have picked out the same thing. She justifies this by saying that Laura needs to be happy with getting what she needs rather than what she wants. Although I can agree with that sentiment, I still think this would have been a much more appropriate gift for Mary, especially if the whole family will be sharing the reference material. Actually, the sock-making kit would probably have been a better choice for Laura. Caroline also suspects that years from now Laura will still use the dictionary more than any fancy doodad from today.

The next day Laura resumes her post outside the display window. A blonde girl named Anna runs up and stands by Laura’s side. Laura asks which toy Anna would choose if she got to take one item home. Anna struggles as she says she would take the doll. As Anna stutters through her answer, Laura advises her friend to take her time. Eventually Anna says that she would want a doll, because it would be like having a sister, and she would name it Laura. Aww, this is so sweet – something horrible is going to happen to this girl, I just know it.

Just then, Nellie and a group of girls enter through the back of the Mercantile. Nellie calls over to Laura and demands that she come upstairs to play. Laura politely refuses, but Nellie says they are starting a club – no boys and only Nellie’s bestest friends are allowed. “Why did you invite me?” Laura asks. Nellie’s eyes narrow and she repeats her invitation. Laura says she’d rather play with Anna. Nellie grumbles that Ann can come along, causing the nice blonde girl to perk up. Laura considers for a moment before reluctantly agreeing.

Upstairs the girls browse through Nellie’s toy collection. While the extras murmur about the dollhouses, Laura focuses all of her attention on a music box playing atop Nellie’s desk. Nellie slams the box shut before calling the meeting to order. Nellie recites the agenda that includes roll call followed by election of the vice president. Laura point-of-orders that there needs to be a president, but Nellie says that the club will meet at her house therefore she is President. First, that would make her a dictator. Second, that sounds more like a qualification for Secretary or Sergeant-at-Arms. Nellie nominates Laura for VP, but Laura suggests Anna instead. “She can’t be in the club,” Nellie states. Laura asks why. “Y-y-y-y-you kn-kn-kn-know w-w-w-w-why.” Anna looks down as the other girls giggle. What a b-b-b-b-b-bitch. Before things get really awkward, Harriet barges in and announces that she has snacky snacks ready for all the girls. Laura and Anna stay behind. Anna suggests that they join the others before she leaves the room, her head still hanging down. Laura follows but stops to look back at the music box. She waits a moment before she snatches it from the bed.

Fred 5/5

Laura and Carl are walking Fred through a field. Carl mentions that Reverend Alden didn’t seem to demonstrate the compassion and understanding he was advocating earlier. Laura decides that she is just going to have to abandon the animal. Fred looks resolute in this decision. Or sleepy. Or hungry? His face is difficult to read. Fred is an enigma. Laura waffles at her own decision, convinced that someone has to love the animal. “Like Pa would,” Carl says, “with biscuits and gravy.” Hehe. Laura removes the rope from the goat’s collar and sets Fred free. He scampers away while Laura holds back tears. Carl says she did the right thing as they walk back towards town.

That night me see Fred chomping on some grass in a storage shed. Sleeping on the ground nearby is Mr. Janks. The man rolls over and hears a loud belch. He wakes up and investigates, finding a rather gassy Fred in his wagon. FRED STOLE FIZZY LIFTING DRINKS and a significant amount of the grass that Charles sold to Janks.

The next morning we see the Ingalls family riding back to the homestead after church. Caroline comments that the Reverend’s sermon was particularly fiery this morning. Apparently the topic switched to the wages of sin. I wonder if Fred hit a few inches to the left would the topic have dealt with Sodom and Gomorrah?

Charles parks the wagon and notices that Janks’s wagon is approaching. Neither Caroline nor Charles is happy to see him. Janks explains that he needs more rushes and is willing to pay good money for them. Charles asks what happened to the last batch. The businessman claims that the grass was eaten and trampled by an “evil, monstrous goat.” What’s with all the supposed malevolence? It's. a. GOAT. All of Fred's behavior is rather consistent with his character. As the Ingalls family holds back from laughing, Janks goes on to say that he is liable to lose his shirt if he can’t deliver on the grass order to some guy in Kansas City. “I think you’d look good without a shirt,” Charles says. First, wrong. Second, when did Charles become such a flirty Gertie? Anyway, Janks offers Ingalls eight dollars for the same workload as before. Charles responds that he would only consider the job if it was twelve dollars in advance. Good job, Charles is learning! Janks balks at this, but Charles says he is happy to raise the price to thirteen. Janks panics and pays Charles the twelve dollars saying that this will be the last time they do business. This doesn’t seem to bother Ingalls.

After Janks leaves, Laura loudly declares that Fred must have been the culprit. She claims it’s a new trick since Fred did a good thing. Laura might benefit from some reading about relativism. Laura tries to push the argument that this is a good reason to keep Fred and therefore she should be allowed to keep the goat. Charles tries to explain that that isn’t what he meant, but he can’t seem to find the words. I have one: extortion. Caroline tries to bat for Laura saying his deal had no strings attached. Mary mentions that Fred ate her essay (so that explains why Mary didn’t like him) and Carrie says, “ILIKEFRED.” Charles relents and Laura goes to find her goat.

Laura runs through the fields calling out Fred’s name. Y’know, Half-Pint, if you just bend over Fred will find you almost instantly. She continues with her strategy. After several minutes of running and “Fred!”, Laura ends up in another expansive field. She finds a rock to sit on and gets all Alice in Wonderland about her lost goat. She hears some bleating and sees a goat in the distance. She hugs Fred and tries to lead him away by the horn. He runs off and joins a tribe of nanny goats. The slide trombone gets all “Sexy Time” as Fred checks out ladies’ night. Laura realizes she can’t compete and is happy that Fred won’t be the last of his kind.

Fred 4/5

Caroline feeds the chickens while Charles and Mr. Janks chat about swamp grass. Janks picks up a few tufts and declares them “tolerable, tolerable.” Since the grass passed a rigorous inspection, Charles asks for his payment. Janks puts his thumbs under his armpits – that's a bad sign. He offers Charles five dollars even though the original deal was for eight. Janks claims the price for grass went down so his price also goes down. Charles is pissed, but Janks says that with nothing in writing Ingalls has to take it or leave it. Charles throws a tantrum but Caroline runs over to stop him. Janks waves the money at Ingalls and after a few seconds of grousing Charles accepts the deal. Thank goodness the Ingalls family isn’t litigious or we would probably see one of them every couple of days on The People’s Court.

Laura and Carl are walking back to the still carrying a bag of oats. They discuss various places where they can shop Fred around. We hear belching followed by a slide trombone. Oh no! Fred’s discovered jazz! Oh wait, he’s just drunk from whatever Mr. Edwards was brewing. Laura determines that the goat is sick, even though Fred is just standing in place staring blankly like he usually does. I don’t think Laura should pursue a career in veterinary medicine. The two kids spin the goat around a couple of times as they figure out which way to take him back to town. The booze must not be that strong since Fred doesn’t boot.

The kids enter Doc Baker’s office with Fred. Doc finishes washing his hands and does a double take when he sees the goat, which belches again. “Laura, Carl, you know better than to bring a goat in here,” he lectures in a tone that suggests that this may not be the first time this has happened. Laura pleads with Doc, telling him that the goat has been poisoned. He thinks for a tic before he closes the door, locks it, and pulls the shades because he doesn’t want people to know he’s treating a goat. He treats other animals and the Oleson kids, why would this be a problem?

Outside, Grace Edwards drops off a package on the Doctor’s stoop. Mr. Edwards walks by and the two go to lunch. Inside, Baker is examining Fred’s eye when the goat burps again. Baker starts to sniff and comes up with his diagnosis – the goat’s drunk. The kids are surprised by this news. Doc Baker opens the door and tells the kids to take Fred and get out. Doc spots the package that Grace dropped off and bends over to pick it up. The camera zooms in on Fred’s eye before we see Doc Baker charge towards the stream. The techie in me needs to point out that this is a really sloppy edit since Fred is nowhere near Doc Baker’s hiney.

The Edwards couple hears the splash and goes to check on the doctor who is now in a foul mood. Jeez, everyone in town has a severe case of the Mondays. As he stomps back to his office, Baker yells to keep the drunken goat away from him. Grace laughs at this before she checks out the goat. It burps again and she reels back from the stench. She declares the goat as drunk as a lumberjack on payday. That doesn’t sound like any lumberjacks I know. Hmph. Anyway, Grace asks the kids how the goat got drunk and Carl starts to spill the beans about his Pa’s “thinking place.” Busted!

Grace switches her attention from the goat that butted Doc Baker to the goat that she married. Fred shows no remorse, causing Edwards to threaten to make roast goat if he sees Fred again. I kinda like how this animal is turning into the Hawaiian Tiki of Walnut Grove. Is Vincent Price in our future?

Carl suggests that Laura just abandon the goat somewhere. She doesn’t like this idea one bit. “God,” Carl says, though not in an exasperated way. “God takes care of everything.” This gives Laura the idea to consult Reverend Alden. The kids walk over to the school/infirmary/playhouse/church to see if the preacher is in. Carl spots him through a window. The two of them lead Fred inside.

Reverend Alden wipes down the desks as he practices his sermon. The subject, coincidentally enough, is “All Creatures Great and Small.” As soon as he finishes with his Bible recitation about how man owns and operates EVERYTHING, the kids loudly “AHEM” to get Alden’s attention. Alden is surprised by their visit and they explain that they need to talk with him about Fred. Laura lists all the people who don’t like Fred -- Charles, Edwards, Harriet, Parsons, Doc Baker and Mary, though I thought she was indifferent. Alden is surprised that any of those people would bear such harsh feelings towards an individual, not realizing that Laura is talking about a goat with a butt fetish. Alden bends over to scrub the cloak closet as he asks if Fred is new to Walnut Grove. Laura starts to explain Fred’s status but is interrupted by a bleat and the camera zooming in on Fred’s eye.

Outside we hear a loud crash. At least the Reverend’s horse isn’t spooked.

Fred 2/5

Mary giggles as the family eats dinner. Charles asks her what her deal is and Mary says she still can’t get over how Laura named the goat Friendly Fred. Mary Ingalls sucks at irony. Charles doesn’t find it funny, saying that he found more friendship after poking a hole in a hornets’ nest. Huh? It stops Mary’s laughter, so I guess mission accomplished?

He then sets his sights on Laura asking if she thinks its funny. Laura lifts her head up from grousing and says no and that she feels sorry for Fred. Pa takes offense to this, but Laura supposes that maybe Fred thought he was protecting the barn from a robber. Even Caroline is like, “Girl, you crazy.” Charles tells his daughter that while Fred was protecting the barn he ate a half-bushel of oats and pulled the feed bin off the wall. Laura apologizes for Pa not liking the goat. Pa explains that it isn’t a matter of liking the animal, but whether they should keep him or not. Laura thinks for a moment then suggests that Fred could eat weeds in the garden. Caroline thinks this is a terrible idea.

Before Laura comes up with yet another bad idea (she’s had quite a few this episode), Mary tells Pa that the grass he’s been collecting can be used for furniture. Charles doesn’t give two hoots about that, saying that he just wants his money from Phinneus Janks so he can be done with his contract. He grabs his pipe from the mantle. As he starts to light it, Laura unwisely mentions that Fred is a very special goat saying he is the last of his kind. Charles’s response: “I certainly hope so.” This disappoints Laura. Perhaps this will teach her how to read a room.

Fred wanders around outside while the girls lay in bed. Laura asks Mary if she is awake. Mary responds with a no. Laura explains the sleepers’ fallacy that Mary just committed. Mary, defeated, rolls over. Laura asks her if she has any ideas on how to save Fred. Mary says she read that goat leather is used for fancy purses. Laura doesn’t find that funny, but Mary explains that Pa might be in a better mood to consider Fred’s fate in the morning.

Downstairs, Charles and Caroline are ready for bed. Just as Charles nods off, a loud crash and bleat are heard from outside. Charles pulls the blanket over his head and whines “Friendly Fred.”

The next morning, Laura exits the house and Jack has a bit of a spaz attack. Laura yells at the dog to stay by the door. Laura runs towards the corral with a bowl of food for Fred, but she sees that the goat is no longer tied to the fence. She hears a bleat and follows the sound. Laura finds Fred chowing down on the grass that Charles picked yesterday. Laura is remarkably calm, particularly since her father is now charging over to the pile and liable to raise some holy Hell in about two seconds. Charles tells his daughter that it is going to take hours in the swamp just to replace what the goat ate. Laura tries to make some more excuses for the animal, but Charles tells her to zip it because that goat is gone today. As Charles turns away, Fred belches. “Today,” Pa repeats. As he stomps off, Charles kicks a bucket in his path but stubs his toe in the process. Fred sneers.

Fred 1/5

We see a lone goat chomping away in a field. An elderly gentleman carrying a bucket into a nearby barn catches the goat’s attention. The goat bleats before investigating the man in the barn. Inside, the man attempts to sing, but it sounds like he may be drunk and a horse whinnies in disapproval. The man strikes up a conversation with the horse before checking its hooves. The goat enters. The man starts to sing again while he moves some bags. As the man bends over, the camera, er, goat, zooms in on the man’s keester.

Outside, we see the farmer busting through the barn wall. A woman and Laura run over to check on the man. The woman asks if he hurt himself, but he starts to blame the goat. He stands and starts ranting and raving like Yosemite Sam about what he is going to do to that animal. As he starts gesturing wildly, Laura (or perhaps Melissa Gilbert) tries to hold back from laughing. As the farmer’s wife tries to talk her husband out of shooting the goat, Laura walks over to check on the animal. The woman lets on that Laura was hired to do something at the farm and Farmer Sam needs to pay her before he goes gun crazy.

The farmer tries to do some arithmetic to figure out how much he owes Laura. It doesn’t go very well. As he gets every detail of the transaction wrong, Laura examines the goat and determines that it looks healthy. Laura asks the farmer, whose name is Parsons, if he is really going to shoot the goat. He tells the girl that goat-shooting is next on his agenda, then he starts to count out the money. He’s short a penny and asks Laura if that’s okay. Instead, Laura offers to take the goat in lieu of cash. Parsons eyes light up and he decides to push all of the positive aspects of the goat. Besides the fact that most of what he says are bold-faced lies, he already has the sale so why is he pushing it? It’s an as-is transaction, but what he’s doing is actually hurting himself in the long run. Laura sort of catches on to this and she asks, “if he’s so special, why are you going to shoot him?” Mr. Parsons does not strike me as a savvy businessman. Despite this Laura takes the goat over the money. We do not hear zonk music, so can we see what’s behind curtain number 2?

Back at the homestead, Caroline snaps some peas while Mary does some homework. “You know just looking up answers to homework questions isn’t too hard,” Mary says, “but writing a long essay on why things happened is a lot more work.” Tell me about it. At least you aren’t trying to throw in jokes when you can. Caroline tells Mary that Miss Beadle wants Mary to think. Isn’t that what the Internet is for? The two of them hear some bleating outside and decide to check it out. Caroline peeks out the window and her walk becomes stern.

“Laura, what on Earth is that?” Caroline asks. Laura explains the situation, but in the way that a ten year old gives all of the details out of order and never actually answers the question. She isn’t being evasive, she’s just giving the points without the argument. She says she saved his life, but Mary asks if she meant Mr. Parsons or the goat. See what I mean? Mary pets the goat and suggests the name William the Conqueror. Caroline laughs at this, but Laura says she already decided on the name Fred. Laura says he kinda looks like a Fred, and based on my experience with the Freds of the world she's right. Caroline cautions her daughter that Pa might not be too keen on having a goat around. “But you know how Pa likes animals,” Laura says. Yeah, because that raccoon you brought home wasn’t a problem at all – Charles loved that. Laura calls Fred friendly then realizes that his name should be Fred the Friendly Goat. I wonder what Ed Friendly (the guy at the end of the credits) thought about this episode? Caroline tells Laura to put Fred in the barn and get started on her homework.

Meanwhile in the swamp, Charles is gathering some sort of grass. You see, I have this theory about Little House where you can tell the stupidity of a given story based on certain factors. If the episode is unbearably dumb, Charles and sometimes Caroline will be out of town or otherwise unavailable. If it is only sort of dumb but still likely to cause the ladies to change the channel, then we get some Michael Landon Beefy Man Chest Action. As Charles carries the grass out of the water, we not only get MLBMCA but wet MLBMCA. He hears a carriage driving by. Charles looks down and panics. Oh right, people usually went into the water nakkers in those days. Once the carriage is gone, we see Charles rise up out of the algae covered water. Hubba hubba?

Later on, Caroline is heating up some water as Charles rides up to the homestead. He looks rather haggard as he starts to unload the cart filled with swamp grass. Apparently Charles is gathering all this grass for some guy who is paying him a rather paltry amount for all the work that is involved. Caroline tells Charles that there is a bath ready for him and she can finish unloading the grass.

Charles enters the barn and starts to undress. As he takes off his boots, he grabs onto the barn door for support. Fred decides to check out the visitor and his eyes lock on to Charles’s rump. Caroline remembers while she is unloading that she should tell her husband about the goat, but by the time she gets to the barn Charles has already been introduced. Hard.

A Matter of Faith 5/5

Establishing shot of the house as seen through the open barn door. Inside the house, Caroline is using the table to lift herself up to the medicine cabinet. Horse linament? No -- she grabs a smaller bottle and starts chugging. After she takes whatever medicine was in that bottle, Caroline looks over at the table and sees the key to the front door. She slowly works her way across the table and grabs the key. We’re zoomed in on her hand, specifically her wedding ring, as Caroline struggles to reach the door. Once there she unlocks it, opens the door and goes outside. She steps with her right leg and drags her left (which is even grosser looking than before) and grabs some firewood.

Later, Caroline is sitting by the fireplace and is pulling a soaking cloth out of a kettle over the fire. She takes a moment before she throws the hot, wet cloth onto the wound. Caroline probably should have grabbed a wooden spoon to bite into before doing that. She does grab onto the rocking chair as the pain courses through her body. More wedding ring close-ups.

Then Charles, in his red full body underwear, swings on a rope and jumps into a lake. Laura is next to go. Really show? White nightgowns for the girls, the oldest of which is 14? I understand that those were probably the style of the time, but from a filming perspective WHAT WERE YOU THINKING? Anyway, Laura and Pa are laughing and tell Mary to hop in. Mary’s all pensive, saying she doesn’t want her head to go underwater. She asks Pa to make sure he’ll catch her and he promises. He then crosses fingers on both hands and shows them to Laura in a way that even Mary should have been able to see but she doesn’t. And no, she isn’t blind yet. Mary grabs onto the rope, swings, and Pa completely misses his daughter. Mary isn’t too bothered by it, saying it was fun. Laura takes another turn and there is more laughter. Then Pa says they should get cleaned up before Reverend Alden shows up.

Meanwhile, Caroline is contemplating her current predicament. She looks like she has an idea and grabs her Bible. She starts flipping through it as if it were a magazine with a really good recipe for gingerbread. She’s found the passage she was looking for (here it is for those playing along at home). We get a closeup of the passage, then we see Caroline reading the passage aloud, then we get a tighter closeup with a literal spotlight on the phrase “cut it off”. Caroline thinks about it for a moment, then a third closeup with “cut it off” completely filling the frame. But it’s not your foot – it’s your leg. Caroline doesn’t seem to care about that argument, instead looking around the room for the sharpest thing she can find. She gets out of the chair and hobbles over to the drawer to get the dullest knife she can find. Yuck, self-amputation is bad enough but that knife is going to make it take forever. Caroline drags herself back to the Bible to reread the passage, knife in hand.

A babbling brook, some swimming ducks, and the Ingalls family playing Blind Man’s Bluff nearby. Charles is wearing the blindfold as the kids and Jack taunt Pa. Laura sneaks behind him to snap his suspenders while Jack bites at his feet. Did Jack read that passage, too? Charles eventually grabs Carrie and tries to guess who he has. He jokes about feeling whiskers on her face and guesses Mr. Edwards. Cute. Pa takes off the blindfold and says “It’s Carrie! How are you?” What’s funny is it works both as a daddy/daughter moment and a “oh, you’re still on the show?” moment.

Laura and Mary notice a wagon approaching and Charles can see that it is Reverend Alden. The family goes to greet the Reverend and Mrs. Foster. Alden tells Mary and Laura that their Ma’s pies were the first items to sell at the fundraiser bringing in $4. Alden takes some of the credit, boasting about his salesmanship. Uh huh. Charles approaches and asks if Caroline changed her mind about making the trip, but the Reverend thought she left early to join the family. Ruh roh. Charles is surprised that there wasn’t even a note but the reverend tells him he need not worry. Um, actually, that is exactly why you should be concerned. Charles decides to go home to check things out.

Back at the chop shop, Caroline’s leg is still attached but she is preparing for some unpleasantness. She has tied a spoon around her leg and seems ready to do what she believes she has to do. She moves the knife blade into the fire. Then we fade to a Scrubbing Bubbles commercial.

On the road back to the house a neighbor stops Charles. Apparently the Ingalls cow has been causing all sorts of trouble. Charles is surprised that Caroline has come to retrieve the animal. While the neighbor passive-aggressively complains about the cow, Charles decides to pick up the pace to return to the house. When Charles arrives he finds Caroline passed out on the floor. I don’t see any blood, but I also don’t see Caroline’s legs.

That night, Laura looks through the window into the bedroom as Doc Baker examines his patient. She walks over to join Pa and Mary, commenting that she has never seen her Ma that sick. Mary asks if Ma is going to die, but Pa tells her not to talk like that yet saying “God takes care of those that love him.” Laura suggests they all pray with all their hearts before she starts to cry.

Charles goes inside and sees Reverend Alden holding a sleeping Carrie in the rocking chair. The Reverend looks like he has seen better days. Outside, Mary and Laura are comforting one another. In the bedroom, Charles is praying at the foot of the bed while Doc Baker changes out Caroline’s wet cloths.

Sunrise the next day. Yet another closeup of Caroline’s wedding ring as her hand reaches over to touch Charles’s hand. He fell asleep at the foot of the bed, but his wife’s touch wakes him right up. Charles calls for Doc Baker who pronounces the fever broken. He says if Caroline didn’t open the infection when she did she probably would have lost her leg or even died. Instead, the prognosis is significantly better. Doc Baker goes out to tell the girls the good news. The Reverend overhears this as he stands watch outside the house. Doc Baker walks over and confides that he would have had a tough time making the decision that Caroline did. “How she picked exactly the right moment … only God knows,” says Baker. “I’m sure he does,” the Reverend replies. The entire family is now gathered around their recovering Ma. Aww, Deus ex Machina works in mysterious ways.

A Matter of Faith 4/5

A song of mourning plays as we return to Casa di Tetanus. There is a close up of an unlit lantern sitting on the mantle that we pan down from to find Caroline, who is writhing in her rocking chair. She decides to take a look at the wound and we switch to her POV. Ew, if her discolored foot is any indication you may want to wait until the end of your lunch break to finish reading this. No joke, y’all, it’s about to get unpleasant. Caroline slowly lifts up the nightshirt to reveal the now festering and pus encrusted wound. Even Caroline, who I look to as a model of resilience, seems a bit squicked out by what her leg looks like. She looks across the room and things get all squiggly again. Caroline decides to go for the scarf hanging by the door but after about two hobbles she falls to the ground. It would have been funny if it was Mary.

The next day a drove of piglets are snacking out of a trough while one is checking out the open bar that is the mama pig. Mary is holding a different piglet while Carrie pets its snout and Laura is petting Carrie’s hair. Mary says not to scratch too hard since it is a baby. Who is she talking to? Oh, Laura is now interacting with the pig as well. “PigglywigglyI’lltakehimhomeandputhiminmybed,” Carrie...says? Laura tells her that probably won’t be happening. Over at the smokehouse Charles is chit chatting with the pigs’ owner about the quality of the meat. The owner notices how the girls are interacting with the piglet and jokes about a new member in the Ingalls family. He says something as he takes the pig from Mary’s hands but the piglet acts like every other piglet on TV and starts to freak the fuck out. Laura tells Pa that Carrie wants to take the semi-subdued beast home, but Charles says they can’t because the piglet needs to stay with its mom. “ButMarysayswecanfeeditwithabottle,” Carrie “says”. Mary Ingalls sucks at weaning. Ha! Charles is giving his eldest daughter a look that agrees with that sentiment. Pa firmly says that the pig must stay and grow up on the farm. “Thenwherewillitgo?” Pa stammers as he tries to euphemize porcine university (Go Razorbacks!) before the farmer cuts in and says the pig will find a lady friend and raise a family. This satisfies Carrie so Pa uses that as a cue for the family to skedaddle. Carrie waves goodbye to the piggly wiggly.

Back at the homestead Reverend Alden and Mrs. Foster are arriving to pick up the baked goods. I’m surprised the ones sitting outside weren’t ruined by the storm. The Reverend knocks on the door and calls out for Mrs. Ingalls. She is a bit indisposed at the moment, having not yet regained consciousness from where she fell the night before. Oh good, she starts to come around as the pies are transferred. Ick, another unnecessary extreme close-up of Caroline’s eye. She can hear the Reverend and Mrs. Foster chatting outside but all she can focus on is the window shutter that is slightly ajar. Oh goodness, Caroline is dragging herself across the floor. First off, couldn’t she just call out so that they know she’s in there? Also, the door is closer than the window and jiggling the doorknob is a bit more helpful of a signal. The cameraman is careful not to have the door in the shot but still – it’s a little house, show.

Uh oh, Reverend Alden has loaded the last pie and Caroline is still crawling. She manages to reach the window shutter and opens it just as the Reverend’s wagon is driving away. I will say the execution of this shot is quite lovely, but the circumstances make me say “hmmm”. Caroline says nothing as she has another spasm of extreme pain. She struggles to pull herself up by grabbing onto the table but eventually gets a grip on the rolling pin instead. She smashes the window with the pin, but since no one is nearby it doesn’t really help her situation. Caroline, who is looking a lot like Jodie Foster at the moment, is sitting up and starting to cry.

A Matter of Faith 3/5

Caroline eventually comes to but there’s no indication as to how much time has passed. It is still raining and when she looks over to the house it looks all squiggly and out of focus. Also, there’s a cat on a Theremin. Caroline struggles to pull herself up and she staggers over to the house. Once inside, she tries to towel herself off and takes refuge in front of the fireplace. She slips off her skirt and it is revealed that the poultice has moved down her leg revealing the full extent of the gash. Yikes! That cut is at least four inches long and who knows how deep.

Charles and the kids are also caught in the storm, but they have a tent sent up alongside their wagon. Not exactly ideal campout weather, but it looks like they’re going to try to make the most of it. As Pa serves dinner he guesses that Caroline is having “the time of her life” with the house all to herself. It’ll be memorable I’ll give him that.

We cut back to Caroline who has her hair down and is dressed in one of Charles’s nightshirts. That was me about a week or so ago after I got caught in the rain. It’s almost liberating – like you have a frumpiness license. Anyway, she is shivering as she lights a match. She has something wrapped in paper that she lights on fire with the match. Hmm, WebMD doesn’t say anything about pyromania being a symptom of gangrene. Oh, we get a closeup of the paper she is burning and see the article that Charles was reading earlier. Caroline looks over at the door but then a clap of thunder freaks her out and the room gets all blurry and out of focus. Many close-ups of Caroline’s eye before she hobbles over to lock the door. That seems like a bad idea. Maybe Caroline’s thought process is that she won’t be able to defend herself but chances are the storm would be enough to keep any would-be thieves at bay. Besides, no one likes to steal wet stuff. After slamming the window shutters closed, Caroline turns around, takes two steps and buckles under the pain in her leg. She’s able to hobble over to the fireplace and stoke the fire a bit. Speaking of fire, what was the purpose of burning the paper earlier?

Some water is dripping down onto the lip of a pot as Caroline is reapplying some bandaging on the wound. She looks like she could use a nice cup of hot tea. She wraps a shawl around her shoulders and starts to read her bible. Rather, she tries to read but the camera makes it all blurry and tricky. Knock it off, camera. Caroline is a little overwhelmed at this point and has to take a bit of a breather before continuing. Good idea.

A Matter of Faith 2/5

Caroline takes another tasty looking pie out of the oven. When she sets it on the table she feels a twinge in her leg. She checks the wound and...Caroline Marie! You don’t even have that thing bandaged? She goes over to a loaf of bread and grabs a hunk of it. After she dunks the bread in a pitcher of water we cut to Caroline finishing tying a cloth around the wound. Hmm, apparently this is a remedy called a “Bread Poultice”. I had no idea. Once Caroline is all bandaged up she gets back to her baking project. Without washing her hands. Ew.

Later on we see her placing a pie on the outdoor cooling shelf. Wow, she’s got a lot done – there are at least seven pies cooling. Caroline looks a little winded, but I’m not sure if it is from her leg or from working with a hot oven all day long. As she stands around to get a second wind Doc Baker is riding by. She calls his attention and he asks if Charles is around. Caroline tells the Doc that Charles and the kids are out of town for the weekend, which disappoints the Doc because he was hoping Charles could fix a squeaky wheel. Caroline invites the Doc in for some pie (not a euphemism) and he decides to take the offer. As they walk towards the house, Doc Baker notices that Caroline is barefoot and looking a little flushed. Are bare feet a symptom? So that’s what was wrong with all the hippies during undergrad. Doc Baker asks if there is anything wrong and Caroline doesn’t think there is. She does mention that she cut her leg and shows the bread poultice. Doc Baker is all “that’s what I would have prescribed” but offers to look at Caroline’s leg just in case.

Just as the two are about to enjoy some pie, a man rides up to the house calling for the Doc. The man kvetches about not being able to find the Doc before explaining that his son Toby fell out of a loft and broke his arm. As Doc Baker leaves Caroline asks if there is anything she can to do help, but the man says that won’t be necessary. Caroline looks pained, but I don’t think it is from the rejection.

Doc Baker finishes putting a sling on Toby while giving his “You’re Very Lucky” lecture. Toby’s Ma is all like “the boy won’t listen!” so Doc Baker tells the kid point blank not to get out of bed for two weeks. As they leave the bedroom, Toby’s Ma invites Doc Baker to stay for dinner. At first he declines because he has a few more calls to make, but then Toby’s Pa comes in and says that storms are rolling through and the Doc probably won’t be able to make it back to Walnut Grove. Sounds like Doc Baker is crashing for the night.

Speaking of crashing, it looks like Caroline has hit a wall. She looks really out of it. You can tell she doesn’t really want to move, but there’s something mooing outside (presumably a cow) and she goes to the window to investigate. Yup, the cow is still outside in the pouring rain. That sounds like the start of a country song. Anyway, Caroline wraps herself in some rain gear and runs outside to lead the cow back to the barn. The cow is not having any of it and puts up a fight. Caroline is pretty soaked and worn out at this point and has to sit down to take a breather. The cow looks over and stands around as if nothing is wrong. Hmm, the camera goes out of focus for a moment. Sinister violin music starts to play shortly before Caroline passes out in the rain. If she is already under the weather this development is not going to improve Caroline’s situation. Rather than help, the cow calmly walks away. Cows suck.

A Matter of Faith 1/5

Establishing shot on the homestead on a sunny day. Jack is sitting outside just waiting until he hears the wagon ride up to the barn. The girls greet the dog as everyone disembarks. Once the girls hop off, Caroline climbs from the buckboard to the flatbed to help Charles unload a few crates. As her husband walks off with a sack of grain, Caroline goes to the back of the flatbed and injures herself somehow. Charles checks what happened as Caroline frets over her now ruined pair of stockings. We move in for a close up of a metal wire that has given Ma a decent sized gash. The music gets all “spoiler warning” – changing from a bucolic theme to a more pestilence nuanced movement. Charles tells his wife to clean the wound and that he’ll get her another pair of stockings. How about not leaving metal wires flopping about where your children are being transported, Charles?

Caroline enters the house with her crates of baking supplies. She sets down the items and looks over saying “Oh Carrie, what have you done?” There’s an open jar of something spilled on the floor, but there isn’t really much of a mess. Carrie robotically apologizes anyway. Caroline rushes over to clean the mess, telling Carrie not to move. I guess there’s broken glass? I don’t know, and Carrie's robo-pologies aren’t bringing clarity to the scene. I wonder if she grew up to become the pioneer of the online chat help cable and phone companies offer. When I was setting up cable in my new digs I was asking what I thought were basic questions and not getting any semblance of a real answer so I asked if I was speaking with a robot. “I can assure you that you are interacting with LiveHelpTech Traci,” was the reply. Thanks a lot, Carrie Ingalls.

Meanwhile, Reverend Alden is riding up to the homestead. Oh, Caroline is already outside, so I guess it is “later” instead of “meanwhile”. Anyway, Reverend Alden is stopping by to ask if Caroline would be interested in baking some items for an upcoming fundraiser. Caroline is flattered by the offer but stops to consider it. Meanwhile (for real this time), Charles saunters over and chats with the Reverend. They have a casual conversation about the family outing the Ingalls are planning on enjoying this weekend. Reverend Alden apologizes to Caroline for asking for the favor since it would interfere with those plans. Caroline gets Charles up to speed on those details and he reminds her that the outing isn’t for a couple of days. Caroline says the pies should be fresh, so they should be baked on Saturday for Sunday’s bazaar. Alden gets all “Won’t somebody think of the children?” and Charles says he can postpone the trip for a week. Caroline doesn’t like that idea, so she suggests that they go on the trip since it will be easier for her to bake without a bunch of kids running around. Reverend Alden offers Caroline a ride to the bazaar on Sunday where she can be reunited with her family. This solution seems to work for everyone. Good, can we move on?

Caroline and Charles are in bed. Charles is reading a newspaper and Caroline is reading over his shoulder. He points out an article about a family whose house was cleaned out because they left the door unlocked. Caroline is horrified by the thought, so Charles suggests that she keep the door locked while the rest of the family is gone. Um, I got the sense from the story that nobody was home and that’s what made the house an easy target. Caroline knows how to defend herself, but she humors her husband. Pa lets on that he thinks Caroline might be shooing the family away but she says she’s just excited about having a day off. They turn off the lights and go to sleep.

The next day Charles is packing up the children on the Ingalls Express. As Laura and Mary dump their items (and run back inside to get items they forgot), Caroline comes out with some first aid supplies and the first pie of the day. Charles and the girls ride off waving. Bye Ma!

The Wolves 5/5

The kids are still holed up in the barn. Laura asks Mary how long they’ve been waiting and she replies, “a couple of hours.” Carrie says she’s hungry (or “hungwee” as she says it) but Mary says it is too dark outside to tell if the dogs are gone. Laura hears a rustling sound outside so Mary goes to investigate. Mary can hear the sound but she can’t find the source. A dog barks behind Mary and she sees that one of the dogs is trying to dig under the wall. Seriously? Did the kids bathe in meat that morning or something?

The sound of the dog pack freaking out starts up again, so Mary decides to move up to the loft. Except that the ladder is now next to Laura’s treehouse. Oops. Mary spots a table and uses it to climb up to the loft. As the kids struggle to climb, the injured mama wolf starts to paw at her muzzle. The dogs are now working at three separate points around the perimeter trying to dig in. This is dumb. Before Andy climbs up he decides that the pups need to go up to the loft. Meanwhile, Old Yeller and Rin Tin Tin are almost done with their holes. As the mama wolf works on her muzzle, the kids are trying to get Bandit up to the loft. Bandit is not a fan of this change of elevation but doesn’t put up much of a fight. Andy gets up into the loft just as a dog gets through the wall and mama wolf gets off her muzzle (uh, “Muzzle Fail”). As soon as Andy turns around he and Mary get a front row seat for the dogfight. Judging by their faces, the dog they bet on isn’t winning. At this point the entire pack has infiltrated the barn. Wait a minute, that’s not a wolf – that’s the Shaggy Dog! Is this episode an allegory for gangs or something? Boooooo!

Mary rejoins the other kids in the corner of the loft. She hugs Carrie and tells her everything is going to be alright. Andy wishes his Pa would come looking for him, which causes Laura to wonder what will happen if no one comes for them. Weren’t Charles and Caroline only supposed to be gone for a couple of days? They should be back soon I would think. Mary has a better idea: “Bandit knows the way to Andy’s house. Maybe he could get Mr. Garvey!” First, Bandit is not Lassie (who may or may not be part of the “wolf” pack down below. Second, Bandit is not a carrier pigeon. What’s great about this is that Bandit’s head is resting on Laura’s arm in a way that makes it look like Bandit is thinking “I need to talk to my agent about getting me on a show with scripts that aren’t stupid.” Laura resists the idea and I could swear I just saw Bandit roll his eyes. I think I understand why Charles and Caroline left town for this episode.

Mary stands up and opens a chute just above Laura’s head. Laura tells her dog that he is their only hope. The girls send the dog outside and it starts bounding towards the hills. Benji, who is keeping watch outside the compound sees Bandit and starts to chase after him. Oh good, not only is this entire premise preposterous, the filming is poorly conceived as well. It’s that point after dusk where it is more dark than light and the dogs are running through an area with trees. In other words, there’s not enough natural light to light the scene but there is just enough light to cast shadows everywhere. Anyway, the chase is on but Bandit has a plan. He puts his Bugs Bunny skills to work and runs into a hollow log. Benji follows but gets stuck while Bandit (the larger dog) gets out the other side. Whatever, show: check-minus.

Over at the Garvey farm Jonathan is tying up his horse in the stable. He notices the wolves are gone and runs into the house. Alice hears Jonathan come in and mentions that he is late. Jonathan asks where Andy is but Alice thought he was with her husband. Jonathan asks if Larabee or anyone else has been lurking around but Alice hasn’t seen anyone. At this point Bandit walks in with a pretty bad gash on his leg. Jonathan takes a look at the dog and realizes that trouble is a-brewin’ at the ol’ Ingalls place.

While Jonathan is in the barn hitching up his horse, at a pace not quite as urgent a few moments ago, Larabee arrives. He has a couple of thugs with guns and says they need to continue the discussion from earlier. Jonathan says he’s a little preoccupied with his son and the Ingalls girls being in possible danger. He invites Larabee and company to tag along or get out of his way. The camera zooms in on Larabee for no real reason.

Meanwhile at the dog shelter, the canines are milling about on the ground floor while the asinines are grousing in the loft. Then the yuppie dog from Best in Show decides it’s time to hop onto the table and climb into the loft. My guess is Carrie is made of jerky. Mary grabs a sandbag and starts swinging at the dogs trying to leap up. It’s going fine until one of the dogs grabs the bag in its teeth. Mary Ingalls sucks at whac-a-mole. She grabs a pitchfork, but just before things get gruesome or hilarious Jonathan kicks in the door and the thugs start firing shots. After eight shots are fired Jonathan hops up into view and asks if the kids are alright. Larabee also pops into view and sees Andy hugging Jonathan as the kid whimpers about the mama wolf saving his life. Jonathan turns to give Larabee an “I told you so” glare. Shut up, Jonathan. Mary is crying in the corner.

The next day, Jonathan, Laura, and Andy set the pups free. They talk about what the deal was with the dogs from last night. Jonathan’s theory was that the dogs used to be good family dogs but their masters didn’t love them. So it is an allegory. Booooo!

The Wolves 4/5

A pack of dogs is running through fields. Wait a minute, is that Harry the Dirty Dog? That...is not a wolf.

As suddenly as we see that image it is gone and replaced by a ball getting kicked outside the school. What is up with these transitions? I’ve been doing film editing for the last three weeks so maybe I’m just more aware of them now but some of them are just plain weird. Anyway, the ball ends up underneath the porch of the Mercantile and Andy chases after it. While he’s there he overhears Mrs. Oleson and Larabee discussing their plans to dispose of the wolves in the Garvey barn. Andy doesn’t waste any time as he runs to the barn with a cart and collects the wolves.

A few moments later, Andy pulls the cart towards Laura’s treehouse. Shouldn’t both of them be in school? Laura climbs down the ladder and Andy updates Laura on the situation. She asks if Mr. Garvey knows what’s up but Andy hasn’t had a chance to tell him yet. Laura decides to hide them in the Ingalls’ barn, but suggests they don’t tell Mary the Hun.

Back at the homestead, Mary asks Carrie if she knows where Laura is. Carrie says she’ll go look for her, but that doesn’t seem to ease Mary’s anger. She’s been amped up this entire episode, even before the parents left. What is her deal? Carrie goes outside with Bandit and calls out for Laura. Just then, the pack of dogs from earlier is running down the hillside near the little house. Mary can hear the dogs from inside and runs outside to check on Carrie. Mary runs, grabs her sister’s hand and promptly trips over her own feet as she drags her little sister to the barn. Way to go, Mary. Despite this misstep, the two girls make it into the barn where Laura and Andy are already taking cover. Laura and Mary work together to bar the doors shut.

The dog pack arrives and starts running circles around the barn and chicken coop. One of the dogs is able to leap into the chicken coop and we hear the sound of chickens getting mutilated. That’s a sound effect that gets a surprising amount of mileage on this show. This time it is mixed with the sound of either a cow or an elephant. If it is the latter, this situation has gone beyond serious.

The kids gather in the center of the barn to wait out the dogs. Everyone is scared but there isn’t really anything they can do. Mary suggests that they start to sing to pass the time and feel better. What better way to get rid of a pack of angry dogs than to draw attention to yourself by singing? Mary asks for requests and Andy is quick on the trigger with “Oh! Susanna”. Oh Stephen Foster, where would the public domain be without you? They start to sing and, as expected, the dogs grow even wilder. As the dogs run more circles around the barn, the LHotP Orchestra plays an upbeat adaptation of “Oh! Susanna”. Good times.

The Wolves 2/5

Laura and Andy are out gathering berries (not a euphemism). Bandit starts to bark and the kids go investigate. Did Carrie fall down a well again? Oh, a wolf got caught in a trap. They must be in Larabee territory. The kids run over to check on the animal and decide to unlatch the trap, thinking this animal is a dog. Frankly, I don’t know the official difference, so we’ll just go with this taxonomy for the time being. Once free, the dog scampers off and the kids follow. They eventually find the dog and her pups. Aww. The kids decide to take the animals to the Garveys' so they can tend to the wounded dog. Uh, Laura, haven’t you gone down this path before?

Back at the homestead, Mary is peeling a potato while carry snaps peas. Laura barges in to tell Mary the news, but the eldest daughter starts in on her power trip. “Where have you been young lady, you’re late!” she yells. Laura’s reaction: “Huh?” Awesome. Mary keeps on yelling at her sister, but as Laura tries to explain all Mary can do is admonish Laura with various “I’m the boss, applesauce,” reminders. It should probably be noted that Charles and Caroline have probably only been gone for perhaps two hours, so Mary’s shtick is going to get old fast. Laura gets over this quick and leaves.

Back at the Garvey residence, Jonathan walks into the barn and finds Andy petting a pup (still not a euphemism). Andy recaps the first paragraph of today’s entry for his Pa. Jonathan takes one look and tells his kid “they’s wolves.” “They’s” you say? Andy is surprised by this news which is soon replaced with disappointment after Jonathan says he can’t keep them. Andy points out the injury, but Jonathan stays firm and says that they can’t keep wild animals. Andy tries a new tactic: if the wolf is one of God’s creatures and Jonathan says that everyone needs to take care of God’s creatures, then they are obligated to take care of the wolf since God loves all His creatures equally. If that were true, wouldn’t Larabee have not set out a trap with the intent to kill the wolf? Rather than follow my line of questioning, Jonathan agrees to have Doc Baker take a look at the animal. Eh, I suppose this compromise is okay for the time being. As Jonathan leaves, the pup starts to have its noms on Andy’s finger. Aww.

We then see a calf suckling on its mama cow. Ick, that transition was even more unpleasant than the sheep goring/Bandit reveal. Suddenly, this tranquil scene is attacked by a pack of dogs. Um, okay. Then the camera goes in for a dramatic zoom on what I suppose is the leader dog who is watching everything from the top of a hill. Dun dun dun! Sure, why not?

The Wolves 1/5

A nausea-inducing dolly shot traveling over the prairie opens this week’s episode. The last time I went through that part of the country was back in 2001 and even then the vastness of the landscape was somewhat incredible. All that is in this portion of the vastness is a lone dog. Oh, and a sheep. The dog sees the sheep the same time we do and begins to chase after it. Suddenly a whole pack of dogs appear and the sheep is all like “uh oh” and starts to run away. I hope this whole episode isn’t a nature film because I am not in the mood. Long story short: the sheep doesn’t stand a chance. We see the lead dog lunge at the sheep then see Bandit running down a hillside. Interesting idea for a transition but it doesn’t quite match up.

The Garvey house is at the base of the hill. Laura and Andy are practicing the long jump for the Olympics that won’t be happening for another 23 years. Andy tells Laura her jump wasn’t too good, but his isn’t any better. He decides to invite his Ma to show her mad skillz. She declines, saying that she has laundry to do. The kids whine but Alice says she doesn’t have time for such “foolishness”. Jeez, lady, why don’t you just send your kid to the iron mines then? Laura challenges this notion, claiming that adults are dismissive of such activities so that they don’t have to prove that the kids are better at them. Alice takes the bait, but before she can embarrass herself Bandit arrives and distracts the kids. Laura assumes that Bandit is there to let her know that it is time to go home. Can a dog really be that well trained? My housemates’ dogs still freak out whenever I enter the room and they have had plenty of time to get used to me. After Laura leaves Andy asks his Ma if she is ready to jump, but since the girl is gone Alice has nothing to prove and sends her son inside to do homework. Once he is in, Alice decides to go for the jump. And lands square on her butt. Andy is quick to point out that his Ma didn’t get much distance either.

When Laura gets home she sees that Pa and Ma are finishing packing up for a weekend getaway or something. Ma is reminding Mary of all the things to take care of while they are away. Mary is in charge? This weekend is going to suck. Charles calls for Caroline as she kisses her daughters goodbye. Caroline mounts the wagon and the two of them are off. As soon as the wagon is out of sight the girls are all like “Toga! Toga! Toga! 1900!” Or they would be if I was writing this episode.

Jonathan is over at the Mercantile carefully examining pans. He puts the pan down for a nice reveal of an incredibly bored Mrs. Oleson. She asks him to make a decision because she has other work to do. For once I don’t think Harriet is being bitchy as I can imagine Jonathan Garvey taking several hours to decide between cast iron or Teflon. She tries to upsell but Jonathan finally decides on the economy model. The shop bell rings as a man enters the store. Hey, it’s Larabee! I didn’t realize he was a recurring character. He is not in the mood to chit chat with Jonathan and asks Harriet for some wolf traps. As Harriet goes to grab them, Jonathan tells Larabee there aren’t any wolves in the area. Larabee coldly says that two of his sheep were attacked and that Garvey should mind his own business.

Jonathan leaves and as soon as he is out the door Harriet thanks Larabee for talking down to Garvey. She takes Larabee to the store room and talks about the bad blood the two men had from their Kansas days. Ooo, back story. Also, this must have taken place before the barn burning. Larabee doesn’t engage with Harriet despite her Barbara Walters impersonation. Larabee takes a couple of traps and leaves. Nels enters the store room as Harriet comments on how mad Larabee was when he saw Jonathan. She lets on that Larabee believes that Garvey stole some furs. Nels stops what he is doing and says that the story is wrong. Harriet reminds her husband that Larabee’s story matches up with what he told the judge, but Nels points out that the actual crook was caught red handed. He goes on to say that Larabee is just mad because he was embarrassed by the situation and blames Jonathan. Harriet is all “whatevs” and says she still doesn’t trust Garvey. Nels is surprised and asks why. Harriet thinks for a moment and says it’s because he chews tobacco and spits. That I could actually get on board with – chaw is DISGUSTING.

The Election 3/5

What’s this? Nels is handling this week’s egg transaction? Oh, it’s Mary who brought the eggs instead of Caroline so Harriet’s cattiness is unnecessary. Anyway, Nels counts the eggs and starts some chit chat about Nellie’s upcoming party. He lists every fabulous aspect of the event but Mary just looks at her shoes. Nels supposes that every girl in the school is invited until Laura, who is browsing in the hip wader section, clarifies that the Ingalls girls did not receive an invite. Mary tries to be diplomatic by suggesting that maybe Nellie forgot, but Nels isn’t buying it and invites the girls. I don’t think they elect Secretaries of State in class elections, Mary. Laura is all “thanks, but no thanks,” and fibs that she and Mary have chores to do at the time of the party. Again, Nels isn’t buying it but he doesn’t press the point. The girls leave as Nels shakes his head in disappointment.

As the girls walk through town they pass by Elmer who is sitting on a bench near a tree. He greets them and they join their fellow candidate. Elmer observes that a number of girls are hanging out with Nellie in the Oleson’s yard. “Boss Nellie Tweed is at it again,” Laura says. Elmer doesn’t get the reference so Mary explains that Laura’s joke was a callback to Boss Tweed, a New York politician. Elmer is all like “oh,” which is fine: even if you get the reference Laura’s joke wasn’t funny. Laura goes on to accuse Nellie of stealing votes. Mary excuses the tactic by saying that Nellie is just having a party. That’s fair, considering the Ingalls girls are planning on doing the exact same thing. Elmer asks why Laura and Mary aren’t at the party. Laura begins to sulk as she explains why. Elmer says he hopes Mary wins but she replies that Elmer has a good chance to win also. The boy disagrees since he already suspects that this might be another Koel prank in the making. Laura reminds Elmer that he can vote for himself, but he believes that one vote doesn’t mean much. Tell that to Paul Metzler. The conversation reaches another awkward lull, so Laura uses the opportunity to say that she and Mary need to go home.

Back at the Dobkins’ house, Ma is mending a shirt while Pa is looking through some papers. Ma mentions that a squirrel that Elmer is caring for is about to give birth while Pa is complaining about the price of seed. The conversation starts to focus on how Elmer is better with animals than with people, which Ma thinks is a good thing but Pa is not so sure. Somehow this circles back to their concerns about the election. Ma is still supportive of the idea and is going to fix up a shirt for her son for election day. Pa suggests using one of his old shirts and trimming it down for Elmer’s size. Oh good, it sounds like Pa is coming around to the idea. Yay!

Breakfast time at the Homestead. Pa asks Laura who is coming to the election party. Laura says everyone except Nellie and Willie is invited. Pa, surprisingly, is in favor of the turnabout/fair play ratio. He goes on to say that he suspects that these election tactics are setting the stage for an Elmer win. Pa explains the math and Mary is less than ecstatic about this revelation. Laura asks what they can do to rectify this situation but Pa is all like “uh, you’re stuck, monkey butt.” I’m paraphrasing.

Later on, Laura and Mary are leaving the storage house with ears of corn as they see Elmer approaching the house. They run down to meet him. There’s some awkward chit chat before Elmer asks if the girls are expecting a lot of guests. He goes on to explain that there was a group of girls ahead of him on the road but they got intercepted by Nellie and Willie who had free candy available. Laura accuses Nellie of buying votes again. Uh, Half-pint, what exactly was your plan with all those ears of corn again? Elmer assures the girls that not everyone is going to vote for Nellie but Laura doesn’t seem convinced. They are still going to have their party regardless of the turn out.

We join Mary and Laura in the barn with Pa. He is polishing a saddle as Mary works on her campaign speech. They toss around some campaign promise ideas. Laura asks if it is even possible to keep all the promises one makes and Pa tells her it isn’t very likely. Mary asks if that is kind of like lying but Pa corrects her by saying it is lying. Hmmm, yes and no. Most campaign promises are actually framed as goals (except for the ones stupidly beginning with the phrase “I promise to…”). If you set a goal and fail to meet it, that is not a lie. Either way, Mary is quickly becoming a fifth party candidate in a three way race. Laura asks if candidates call each other names because she has a few good ones for Nellie. Pa gives Laura a warning not to head down that path. Pa sends the girls to bed. On the way out, Mary says she is going to list the things she thinks would make the school better and make a speech. Yeah, long lists always make great speeches.

The next day at recess the girls are jumping rope while Kenny and Joel kick around some kids on the teeter-totter. Joel then spots Elmer off by himself by the schoolhouse steps. The boys get stupid smiles on their stupid faces and head over to torment the boy. Joel asks Elmer how he is going to win the election. Joel tells Elmer to get on the see-saw stump (say that three times fast) and make a speech. Elmer isn’t interested, but his self-appointed campaign managers grab him and force him onto the stage. As the candidate is dragged to the center of the crowd, Pa Dobkins happens to be driving by and watches what is happening to his son. Joel and Kenny keep jostling the boy as they make a bunch of promises of the “eat one worm for every vote” variety. But what about tort reform? Social security? What is his stance on human/animal hybrids? These are the questions that need answers! Before those questions can even be asked, Miss Beadle exits the school and tells the boys to stop. She asks what they are doing and Joel says they’re campaigning. Miss Beadle tells them to stop and ends recess. Way to go, jerks. As the kids file inside, Pa Dobkins hangs his head and drives away.

The Election 2/5

As the kids are leaving school, Nellie is admonishing the girl who seconded her nomination for not doing it fast enough. The girl is all like “whatever, just keep the candy coming.” Following them are Mary and Jim, the former thanking the latter. “It’s nice, you being a boy and all,” Mary says. I have to wonder if Laura would have nominated Mary, unless nominating goes against Leviticus or something. Regardless, Jim says he just wanted to be fair and I’m not really sure what that is supposed to mean in this situation. Mary thanks him again despite this little logic lapse and heads home. Jim sticks around to reconvene with the prankster set. Oh, it turns out that their plan is to not only split the girl vote by having two female nominees but use Elmer to prove that he can beat the smartest kids in the class. Does it count as schadenfreude if you plan for it? That doesn’t seem right.

That evening at the homestead, Laura and Mary are busy working at the table. Laura puts down her crayon and shows Mary the campaign poster she designed: “Vote for Mary (underlined in red) The best cantitate [sic].” Mary says “no”, obviously, but Laura says the kids won’t care. It’s sad that almost 140 years later that would still probably hold true.

As Mary evaluates the poster some more, Pa enters the house. “Pa, you’ll never guess,” Laura says. Pa takes a couple stabs at Laura’s news: “You got 100 on an arithmetic test. You got a zero on an arithmetic test. Your sister Mary got nominated for class president.” Laura accuses her father of peeking, but he says he heard about it from Nels. Pa congratulates Mary and calls her Madame President. Mary says he should be congratulating Nellie, but Laura calls herself Campaign Manager and says that her sister is going to win. Carrie (you remember her – the one who falls down the hill all the time?) says that she’ll vote for Mary. Pa believes that more than the Ingalls girls will vote for Mary, but the candidate doesn’t think so since Nellie is going to have a campaign party. “Nellie invited all the girls to her house except us for ice cream and cake tomorrow,” Laura says. I guess Mary is running as a candidate for the Pity Party. Pa goes against the party’s mission statement by suggesting the girls host their own event the following weekend.

Meanwhile, Elmer is at his place tending to the chickens in the coop. As he takes particular care of one chicken, Elmer’s father enters the barn. He greets his son who reports that the chicken’s neck is looking a lot better. Oh, I get it. The wounded birds are a metaphor. That’s one of the tricks of the trade I’ve learned in the last couple of weeks: anything that seems heavy handed or cannot be easily explained can just be described as “artistic vision” or a “metaphor”. Try it in your day to day life: it is amazingly liberating. Anyway, Elmer asks if the other chickens will attack this bird again if he reintroduces it to the flock. Pa says that they might and it’s just in their nature. I’m just waiting for a spider to weave “Some Pig” over Elmer’s head. Pa tells Elmer it is time to wash up for supper. Elmer says he just needs to feed his rabbit and then he’ll be done. Please let the rabbit be named George, please. Lenny would be even more awesome.

Elmer changes the subject before we learn more about the rabbit. He tells his Pa about the nomination. Rather than congratulating his son, Pa asks who nominated Elmer. “Joel and Kenny,” Elmer replies. They also appointed themselves as Elmer’s campaign managers. Pa doesn’t like where this is going and checks to make sure that Elmer is talking about the kids that pick on him and not some other Joel/Kenny combo (Koel? Jenny?). Elmer is being all Pollyanna about the whole situation which doesn’t seem to sit well with Pa. He doesn’t say anything at the moment and decides to remind Elmer that supper is almost ready.

Pa goes back into the house where Mrs. Elmer’s Mom is setting the table. The parents chit chat about what Elmer is up to in the barn. Ma likes that he takes such good care of the animals, but Pa is concerned that if they aren’t careful there will be sick stray animals all up in their business. At least the kid has aptitude in some area. Pa walks over to Ma and tells her that the “dag burn Turner boys” were the ones who nominated Elmer. Ma reminds her husband to remind Elmer that he should not count on winning. Wait, why are these parents being realistic? Don’t they watch this show? I don’t have a Good Mommy/Good Daddy tag.

Ma walks over to the kitchen to do final dinner preparations as Pa draws out the wounded bird metaphor. This is also where they confirm that Elmer is a little slower than the rest of the kids, just in case that wasn’t already clear. They also reflect on whether it was a good idea to keep Elmer out of school for a couple of years after a bad experience in Springfield. Pa wonders if maybe they should have kept him out of school in Walnut Grove. “He wants to go, Sam,” Ma says. Sam contemplates this as he stares at a fire in the hearth. Ma gives her husband a hug. Aww, don’t be sad Dobkins family.